RARE BOOK GUIDE, EVERY ONE A WINNER

Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

15 March 2008

Henry Crowder / Nancy Cunard. Henry Music, Paris, 1930 + Negro Anthology 1934.





Henry Crowder. HENRY-MUSIC. Hours Press, Paris 1930.

Current Selling Prices
$7500+ /£3600+


NEGRO. ANTHOLOGY ( Made By Nancy Cunard.) Nancy Cunard at Wishart and Company, London, 1934.

Current Selling Prices
$5500-$8000 /£2800-£4000


POETRY / MUSIC / 'PUBLISHED IN PARIS'
'Henry-Music' is a marvelous book to find. In great condition it is worth £5000 and more, but as there were only 150 copies printed it is necessarily rare. When I started in this game in the late 1970s, amongst raffish young dealers it was one of a mantra of rare and treasured books one hoped to find, but seldom did - Globe by the Way Book, Quinzaine for This Yule, Beeton's Christmas Annual, Hobbit, Astra Castra, Questions at the Well, Bear Fell Free, Gent from Bear Creek and so on. The legend of Nancy Cunard is still potent and there are several studies of her in preparation and several biographies, one from 2007. She is now seen as an important figure for her brave and tireless activism in racial politics and civil rights -in print ('Negro Anthology' + the 1931 pamphlet Black Man and White Ladyship, an attack on racist attitudes) and in her political work-- her account of the Scottsboro Boys case was important in bringing world attention to a huge injustice. One poem that she contributed to this book of her lover Henry Crowder's music was recently compared to the work of ICE-T by an earnest scholar in the USA. It is 'Equatorial Way'

'Goin to drink to the last damnation
Of the son o' bitch U.S.A.
Going to send for a conflagration
From down equatorial way...
Last advice to the crackers:
Bake your own white meat -
Last advice to the lynchers:
Hang your brother by the feet.'
Certainly it has the energy and rhythm and anger of modern rap music. Other contributors to this beautiful book with its surrealist Man Ray photomontage covers were Richard Aldington, Harold Acton, Samuel Beckett and Walter Lowenfels. Henry Crowder (1890-1955) is shown top left. He was born Gainesville, Georgia and established himself as a pianist and orchestra leader in Washington, D.C in the 1910s, working alongside Russell Wooding and Duke Ellington. Drafted in 1917 while leading an orchestra at Harvey's Restaurant he was briefly chauffeur to General March. He moved to Chicago in the early 1920s, making piano rolls in 1926, later touring with Jelly Roll Morton. He recorded with violinist Eddie South's Alabamians 1927-1928. They travelled to Europe where, in Venice, Crowder and Nancy (heiress to a shipping fortune) met. They embarked on a turbulent seven year relationship, which culminated in the production of Cunard's monumental 1934 Negro: An Anthology (dedicated to Crowder.) All the songs in Henry Music which have a musical score by HC were supposed to have been recorded but only one disc, with Cunard's "Memory Blues" aka "Boeuf sur le toit", is thought to have been released. It is included on a CD which comes with a recent book by Anthony Barnett - 'Listening for Henry Crowder: A Monograph on His Almost Lost Music With the Poems and Music of Henry-Music (ISBN 0907954367 from Allardyce Barnett Publishers. )



Nancy was, like her contemporary Harry Crosby, 'electric with rebellion' and ran with a fast crowd as an expatriate woman in Paris - they dubbed themselves the 'Corrupt Coterie'. Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound and Louis Aragon were among her lovers. Sylvia Pankhurst, Janet Flanner, Solita Solano, Kay Boyle, Sylvia Townsend Warner and Norman Douglas were life-long friends. All the books from her 'Hours Press' are collectable with 'Henry Music' probably being the most valuable, although limited editions of Pound's Draft of XXX Cantos and Beckett's Whoroscope are up there in value. There were 100 numbered and signed copies of 'Henry-Music' + 50 unnumbered and signed for private dedications; these latter copies are particularly treasured.

VALUE? 'Henry-Music' is most collected as a Beckett item and represents a heavy investment for any Beckett obsessed completist. Ropey copies have passed through auction at around $1500, but a reasonable copy will always be in advance of $5000 unless you find it overlooked with a pile of 1930s music or lotted with a bunch of outdated art books; the Beckett name on the cover means that it will be spotted by all but the dimmest dealers. You can buy a books published by the Hours Press for as low as £30 --say Aldington's 'Last Straws' or even Roy Campbell's poems. For $250 at the San Francisco book Fair I bought a decent Hours Press Brian Howard ('God save the King') with its John Banting covers and I'm hoping to keep it for a while. There are photos of Henry and Nancy working at the printing press together and it is pleasing to think they may have had a hand in the making of Brian Howard's only book.

OUTLOOK? Nancy Cunard, the Hours Press and the whole 'Published in Paris' schtick were in abeyance a few years back but there are encouraging signs of a revival. Neil Pearson's excellent book on the Obelisk Press, Paris 'A History of Jack Kahane and the Obelisk Press' was recently well received and got a deal of publicity. There is a lot of interest in Nancy, often from academics in women's studies; her civil rights work is more relevant than ever and she is an enduring fashion icon. Did anyone ever wear more bangles? Some can be seen in Man Ray's photomontage above. Her 'Negro Anthology' (Wishart, London 1934) seems to be holding its own at about $5000 and more for sharp copies - it has made as much as £5000 (2003) in auction; condition is important, as a large book it can turn up slightly shabby. This is an easier book to find that Henry-Music as there were a 1000 copies. It is said there were copies unsold in the 1960s and it could be bought then as a remainder; one school of thought attributes its rarity to copies being destroyed in the Blitz. Trouble with that theory is the book is not rare, just expensive.

The value comes from the wonderful panoply of contributors - Samuel Beckett (translated 19 of the articles), Ezra Pound, Dreiser, Claude McKay, Zora Neal Hurston, Jomo Kenyatta, Harold Acton, George Padmore, William Carlos Williams, Norman Douglas, Louis Zukofsy, Edgell Rickword, William Plomer, the Paris Surrealist Group, George Antheil, Henry Crowder, Countee Cullen, Langston Hughes and Alfred Kreymborg. There are 6 copies for sale at ABE right now, a copy sold last week at Bloomsbury / Ebay for £2400 + the juice (like other copies I have seen it was slightly affected by damp.) Just one 'beautiful' copy of 'Henry-Music' sits on the web at $15000 with a very high end dealer, a rather modest price for them. It could sell over the weekend or sit there till Bush ignominiously leaves office. The last copy in auction was the Constance Bullock-Davies copy in 2001 which made £1800, an out-of-series copy in the original illustrated boards, condition not noted. As far back as 1977 a copy (warmly inscribed by Crowder to Augustus John) made $1900.

12 July 2007

Albert Goldman. Disco, 1978

" That everybody sees himself as a star today is both a cliché and a profound truth. Thousands of young men and women have the looks, the clothes, the hairstyling, the drugs, the personal magnetism, the self‑confidence, and the history of conquest that proclaims the star. The one thing they lack—talent—is precisely what is most lacking in those other, nearly identical, young people whom the world has acclaimed as stars. Never in the history of show biz has the gap between the amateur and the professional been so small. Nor ever in the history of the world has there been such a rage for exhibitionism..." [Goldman 1978]




Albert Goldman. DISCO. Hawthorn Books, Inc., New York 1978

Current Selling Prices
$100-$240 /£50-£120



MUSIC / DANCE
The above quote in Albert Goldman's deathless prose is somewhat prescient, reality TV hadn't been invented then...but down the disco everyone was a star. I hesitate to trot out the word 'seminal' but this is the Disco book, especially as it came out at the time. No doubt Abrams will produce a 5 kilo book on the subject or Taschen a 20 kilo book signed by John Travolta with a raised silver platform boot on the cover by Jeff Koons - but they will not surpass Goldman's masterpiece.

The book, the size of a small art book and not substantial (174 pages) is illustratred throughout in b/w and has a subsection featuring select colour photos. It came out in paperback and hardback with a jacket. The jacketed hardback is, as always, preferred and is more expensive and rarer. Very much the kind of book that would be turfed out at a boot sale or sold for 50 cents at a library sale - although being a bit of a Ebay special it is not really a sleeper anymore + alot of the books at library sales are now checked out on the web beforehand. It's not fair.

Jack Kroll in a review in 'Newsweek' gives the flavour of the book:

'...Albert Goldman's account of the Disco scene has the drive, color, and pounding beat of the music itself. Only Goldman could have brought such a unique package of talents to the task of exploring the greatest outbreak of Dionysiac madness since the Jitterbug, Lindy-hopping nights of the Swing era. Goldman seizes the scene from the multiple perspective of a musicologist, a sociologist, a psychiatrist, an anthropologist -- and a perfectionist. he is the swinging man's Levi-Strauss, tracing the Disco explosion back to its primeval roots and forward to the tribal rites of the sophisticated savage who is contemporary man and woman.'
The reference to Levi - Strauss is, presumably, to the 99 year old anthropologist Claude Lévi-Strauss and not the jeans..

VALUE? Reasonable copies usually start at $150. A not fine signed copy sits at ABE at a stroppy $500 and in an Ebay shop a copy in a 'fair' d/w is a BIN at $150. Fair is a word which, even when used by an amateur, usually means 'poor.' A chancer on Amazon wants $575 for an unsigned copy ('Factory-sealed in plastic; Unopened; Rare find! Preserved unopened by a collector since it was issued; Text in Excellent shape; Great pictures! Great info!') Prada clad NY photo dealers want $500 for the book, but a judicious shopper should be able to pick up a sharp copy for $200.

One Disco enthusiasts site advises that the book is worth every cent of $150 and adds that it '...is perhaps the most sought after book from the actual Disco era about the Disco era. No revisionist BS here as it was written back in the day when Disco ruled the world.' The book was produced by Spritzgun Productions and that is disco model Vivianne Castanos on the cover.[ W/Q ***]

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